
"I studied sociology and film at UC Berkeley, in the San Francisco Bay area," begins the ever-smiling Libbert in her office at Skywalker Ranch. "When I graduated, I knew I wanted to do something in the entertainment industry but I wasn't really sure in what capacity. I ended up moving to Los Angeles and worked as a page for NBC. I would give tours of the television studios, be an audience usher for the 'Tonight Show,' that sort of thing." After that, Libbert spent a few years as a talent agent for television, before engaging in what would eventually bring her to Lucasfilm. "I became a wardrobe assistant for TV movies and features," she says, "which means that I did anything from shopping for clothes, or working as the on-set dresser to aging fabrics and sewing costumes. I learned a lot." Life then brought Libbert back to the Bay area, where she took a position in advertising. "I was an account planner, and I was responsible for conducting focus groups and test screenings, just like they do for movies, except they were for ads," explains Libbert. Missing the entertainment industry terribly, Libbert started doing more wardrobe work for documentaries before she finally called the Lucasfilm job hot-line and applied for her current position. "The job description included 'operating R2-D2 and dressing Star Wars characters,' " she says with a grin, "and that's what caught my eye." An interview followed, and Libbert was brought aboard the Lucasfilm team.
When Libbert joined Lucasfilm in 1996, the whole company was gearing up for the upcoming Star Wars Special Edition Trilogy. Consequently, the demand for costume appearances was very high. Being able to learn and adapt quickly was key. "I'm responsible for dressing the actors, of course," says Libbert, " but also for setting up the stage or area where the appearance will take place, making sure everything is right, and explaining to the event's organizers what we can and cannot do with the costumes, due to certain physical limitations." The actor wearing the C-3PO costume, for example, is completely bolted in: he needs two people to get him inside the suit, and two people to get him out. Visibility is very limited, as is mobility, for he cannot sit down, which means that he needs something he can lean on in order to get some rest. The stormtrooper costumes also present similar limitations. "Since a lot of the costumes get very hot," Libbert continues, "I have to keep an eye on the actors and carefully plan the time they spend in public so they can retire and take the rest periods they need." This consideration can make costume appearances that take place outside a bit more problematic than one would expect.

While a typical event can mobilize about one to six characters, the opening of Star Wars Special Edition in Los Angeles took the proportions of an epic event. "We had 35 characters appearing at the same time," recalls Libbert. "Darth Vader was there with an escort of stormtroopers, there were two Imperial Royal Guards, R2-D2 and C-3PO showed up, Chewbacca arrived on the scene in a Humvee, a Tusken Raider got there in a dune buggy, the Cantina Band musicians stepped out of a stretch limo with a Jacuzzi in the back... it was crazy." The event was especially delicate for Libbert because the environment was less controlled than most costume appearances are. "There were tons of fans and members of the press present, and the characters had to walk a red carpet surrounded by everybody. And it was outside, of course, so it got terribly hot. It was quite a challenge." But Libbert rose up to it and safely saw all the performers through the event, the largest gathering of Star Wars characters ever. "The most popular character remains R2-D2," says Libbert, "and I have to admit he's my favorite one, too. He's got a mind of his own, and you never quite know what to expect of him."


















